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The Frogmen (1951) World War II drama in which Richard Widmark, as Lt. Cmdr. John Lawrence, replaces the popular commanding officer of a group of underwater demolition divers. a crew of fiercely independent studs who hang their proverbial hats in Davy Jones' locker. The martinet Lawrence tightens th

Phone Call from a Stranger 1952 On a flight from Chicago to Los Angeles, lawyer David Trask befriends three of his fellow passengers while one technical issue after another lead to unscheduled stops and delays The other three are physician Dr Robert Fortness, a struggling actress with the stage name

Crash Landing (1958) Airplane passengers prepare for a crash landing in the ocean.

Witness to Murder (1954) Cheryl Draper (Barbara Stanwyck) sees a murder through her bedroom window, but no one will believe her. She is stalked by the suave killer ('George Sanders'), who first takes steps to convince police she is crazy, but she has ally in a sympathetic policeman (Gary Merrill).

Destination Inner Space (1966) Strange goings on at the site of an experimental underwater laboratory as a mysterious object of unknown origin is detected in the area. A group of researchers investigate and come face to face with the object, a large automated extraterrestrial probe. They board the c

A Blueprint for Murder (1953) Two orphans, Polly and Doug, live with their stepmother Lynne; Polly collapses with the same mystery symptoms that killed her father. The kids' visiting uncle, Whitney Cameron, is warned that the symptoms match strychnine poisoning, but that poisoners are seldom detecte

Twelve OClock High (1949) In this story of the early days of daylight bombing raids over Nazi Germany, General Frank Savage must take command of a "hard luck" bomber group. Much of the story deals with his struggle to whip his group into a disciplined fighting unit in spite of heavy losses

Where the Sidewalk Ends (1950) Det. Sgt. Mark Dixon always wanted to be something his old man wasn't: a guy on the right side of the law. But for a good guy, he's awfully vicious. After several complaints over his roughing people up, his boss, Insp. Nicholas Foley, demotes him. Foley tells him he's

The Searching Eye (1964) The simple actions of a young boy on the beach provide visual metaphors for the normally unseen world. The camera adds a profound dimension to what the boy has seen, giving us a deeper understanding of visual awareness.

Another Mans Poison (1951) Mystery writer Janet Frobisher lives alone in a dark English country house, when she's not philandering with her secretary's fiancée. At an extremely awkward moment, she has an unwelcome visitor: George Bates, who claims to be the partner in crime of Janet's estranged hus

The Paragon (1963) A man tries to stop his insensitive wife from alienating their family and friends.

Flight to the East (1958) A complex mystery, this Hitchcock mystery begins with an American reporter, his companion, and a young woman sitting together on a flight out of Nairobi. The reporter, Ted Franklin, tells his story of betrayal and the unjust execution of an Arab-French arms dealer who alleg

The Wonderful Country (1959) Having fled to Mexico from the U.S. many years ago for killing his father's murderer, Martin Brady travels to Texas to broker an arms deal for his Mexican boss, strongman Governor Cipriano Castro. Brady breaks a leg and while recuperating in Texas the gun shipment is sto

Decision Before Dawn (1951) WWII is entering its last phase: Germany is in ruins, but does not yield. The US army lacks crucial knowledge about the German units operating on the opposite side of the Rhine, and decides to send two German prisoners to gather information. The scheme is risky: the Gesta

The Manacled (1957) Sgt. Rockwell is an honest cop, but $50,000 is enough to tempt even someone like him. He's transporting a prisoner on a passenger train. The man is Stephen Fontaine, a thief with the silver tongue of a devil. As the sergeant leafs through a magazine about sports cars, Fontaine te

Strange Victory (1948) "Strange Victory" is about racial bias in post World War II America. Folowing "Native Land" in Leo Hurwitz' filmography, it uses some of the same techniques: dramatized scenes interspersed with scenes of compilation news reel footage, and scenes of evocative imagery. An epilog